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Important Cultural Property

Nyoirin Kannon (Cintāmaṇicakra)

如意輪観音像
Nyoirin Kannon (Cintāmaṇicakra) (如意輪観音像)
PLATE IImage: Nara National Museum, via ColBase — CC BY 4.0
At a glance — Painting · Nanbokuchō period, 14th century · held by Nara National Museum · designated Important Cultural Property of Japan.

Fact Sheet

Designation
Important Cultural Property (重要文化財)
Category
Paintings
Date
1301–1400
Dimensions
H 101.7, W 41.6
Catalogue ID
cobas-15542

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The abode of the bodhisattva Kannon (Skt. Avalokiteśvara) is a mountainous island, Mount Fudaraku (Skt. Potalaka). Here, an emanation of Kannon appears seated within this abode, the six-armed deity Nyoirin Kannon (Skt. Cintāmaṇicakra). The six arms are believed to symbolize the bodhisattva’s power to rescue sentient beings from each of the Six Realms, the worlds into which one can be reborn after death. Mount Fudaraku is replete with pine trees and cherry blossoms: a landscape of familiar beauty. This is a common figure of Nyoirin-kannon (Cintāmaṇicakra) with a golden body and six arms as introduced in the Kanjizai Nyoirin-bosatsu Yuga-hō-yō sutra (Guanzizai Ruyilun-pusa Yuqie-fayao). The posture of the image—touching the cheek with its first right hand is based on the iconography of the Kannon-in section of the Taizō-kai (Garbhadhātu or womb) Mandala. This Nyoirin-kannon is sitting with one knee drawn up on the elegant and graceful lotus seat which is decorated with gold lines. The whole figure is placed within the circumference of the disk of the moon.

The body is painted in gold and outlined in red. The garment and ornaments are beautifully colored, and several kinds of designs such as Tatewaku, Kōshi-checkered pattern, and Manji-tsunagi pattern were added in cut-gold foil rendering, which contributes to the gorgeousness of this scroll. This gorgeous decoration is one of the characteristics of this painting. In the background, the Sanctuary of Mt. Fudaraku (Potalaka), which is rising up from the sea, is depicted together with seasonal objects in the manner of the Yamato-e painting style. Mountain folds were described with soft brush strokes in ink, and green was added between the ink lines. Gold pigment was also added at some places. Tree trunks and leaves of pine trees and cherry trees on the mountain were painted colorfully. Cherry blossoms are painted on top-view and colored white. It is unconventional to adopt such grand natural views to Buddhist paintings.

— Museum description: Nara National Museum (CC BY 4.0), via ColBase / Japan Search.

Record & Sources

Cite this page: “Nyoirin Kannon (Cintāmaṇicakra)(如意輪観音像).” Treasures of Japan, catalogue no. cobas-15542. Nara National Museum. https://treasures.yamato-kenkou.com/treasures/nyoirin-kannon-cint-ma-icakra/ — entry last verified 1 November 2026.
Full record data (as published in the official catalogue record)
  • Category: Paintings, sketches, and prints:Japan:Buddhist paintings
  • Genre: Paintings
  • Material: Hanging scroll; ink and colors on silk
  • Cultural property designation: Important Cultural Property
  • Size: H 101.7, W 41.6
  • 員数: 1幅
  • 分類: 絵画
  • 種別: 絵画:日本:仏画
  • 法量: 縦101.7 横41.6
  • 品質形状: 絹本 著色 金泥 金箔 截金 掛幅

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