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National Treasure

The Third of the Sixteen Arhats

十六羅漢像(第三尊者)
The Third of the Sixteen Arhats (十六羅漢像(第三尊者))
PLATE IImage: Tokyo National Museum, via ColBase — CC BY 4.0
At a glance — Painting · Heian period, 11th century · held by Tokyo National Museum · designated National Treasure of Japan.

Fact Sheet

Designation
National Treasure (国宝)
Category
Paintings
Date
1001–1100
Location
Ueno, Tokyo
Catalogue ID
cobas-166753

Find more

In Buddhism, Arhats are sages who have completed their ascetic training. The Sixteen Arhats are a special group who were charged with remaining in this world after the Buddha Sakyumuni's death in order to protect and promulgate Buddhist teachings. The art displayed here is from a set of 16 hanging scrolls. These scrolls, formerly housed in Shojuraigoji Temple in Otsu, Shiga Prefecture, are the oldest extant set of the Sixteen Arhats. They are modelled on earlier Arhat depictions from Tang dynasty China. The Arhats and other figures are depicted with gentle countenances and an array of colors is used to unite each composition. The pictures utilize a technique called urazaishiki, whereby color is applied to the reverse side of the silk screens. When viewed through silk, the pigments appear more subdued and this creates the impression of soft skin, for example. This bright, gentle coloring is a characteristic feature of Japanese Buddhist paintings from the 11th century. In the upper part of each painting is a rectangular area that notes the name and abode of each arhat.

A closer examination reveals a number of birds and flowers. These provide a glimpse into the refined tastes of the Heian nobility. This painting shows one of the Sixteen Arhats — enlightened sages worshiped as the protectors of Buddhism. This arhat sits outside a temple holding a scroll of sacred writings. Below him, three gods fly through the air on a cloud. They clasp their hands and worship the arhat, indicating his sacred status. Created over 900 years ago, this image belongs to the oldest set of paintings depicting the Sixteen Arhats. The imperial court and nobility were the leading patrons of Buddhism at this time. Their artistic tastes are reflected by the soft outlines and gentle colors. These colors were achieved using a special technique called [urazaishiki] (“back coloring”), in which the pigments are applied to the back of the silk canvas so that they appear faintly through the silk weave.

— Museum description: Tokyo National Museum (CC BY 4.0), via ColBase / Japan Search.

Record & Sources

Cite this page: “The Third of the Sixteen Arhats(十六羅漢像(第三尊者)).” Treasures of Japan, catalogue no. cobas-166753. Tokyo National Museum. https://treasures.yamato-kenkou.com/treasures/the-third-of-the-sixteen-arhats/ — entry last verified 1 November 2026.
Full record data (as published in the official catalogue record)
  • Cultural property designation: National Treasure
  • Category: Paintings, sketches, and prints:Japan:Buddhist paintings
  • Genre: Painting
  • Material: Color on silk
  • 員数: 1幅
  • 分類: 絵画
  • 品質形状: 絹本着色
  • 種別: 絵画:日本:仏画
  • 法量: 96.7×51.8

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