Treasures of JapanA catalogue of Japan's designated cultural properties 2,690 works catalogued

Home › Browse › Sculpture › Edo period › Madonna of the Thumb

Important Cultural Property

Madonna of the Thumb

聖母像(親指のマリア)
Madonna of the Thumb (聖母像(親指のマリア))
PLATE IImage: Tokyo National Museum, via ColBase — CC BY 4.0
At a glance — Sculpture · Edo period, 17th century · held by Tokyo National Museum · designated Important Cultural Property of Japan.

Fact Sheet

Designation
Important Cultural Property (重要文化財)
Category
Sculpture
Date
1601–1700
Location
Ueno, Tokyo
Catalogue ID
cobas-58528

Find more

This painting depicts the graceful face of the Madonna shrouded by a blue mantle. Tears from her downcast eyes roll down her cheek, while her thumb peeks discreetly from the garment's sleeve. The artist has skillfully imbued the work with a sense of texture, from the smooth, translucent skin of the Madonna to the lustrous material of her mantle. The Italian missionary Giovanni Battista Sidotti brought this painting to Japan during the era when Christianity was outlawed. Known as the Madonna of the Thumb, it closely resembles works by Carlo Dolci, a painter of religious works who was active in Florence, Italy, and who lived from 1616 to 1686. Sidotti was arrested on Yakushima island in 1708 and he subsequently passed away in the dungeons of the Kirishitan Yashiki, or House of Christians, a building located in Edo, as Tokyo was formerly known.

This work was seized by the Nagasaki Magistrate's Office and it remained hidden there for a long time, which may explain why it is in such a good condition. Though an oil painting on a copper plate, the small size suggests it was probably made for private worship. The painting takes on a different light when we consider the strong feelings that prompted Sidotti to bring it all the way to faraway Japan to hear his prayers. Japan's government implemented a policy of national isolation in the early 1600s. Despite this, an Italian missionary named Giovanni Sidotti entered the country illegally in 1708, bringing this painting of the Virgin Mary with him. The blue color of Mary's mantle represents her grief following the death of Jesus.

— Museum description: Tokyo National Museum (CC BY 4.0), via ColBase / Japan Search.

Record & Sources

Cite this page: “Madonna of the Thumb(聖母像(親指のマリア)).” Treasures of Japan, catalogue no. cobas-58528. Tokyo National Museum. https://treasures.yamato-kenkou.com/treasures/madonna-of-the-thumb/ — entry last verified 1 November 2026.
Full record data (as published in the official catalogue record)
  • Genre: Sculpture
  • Category: Historical materials:Christian-related materials
  • Material: Oil on bronze plate
  • Cultural property designation: Important Cultural Property
  • 員数: 1面
  • 分類: 彫刻
  • 品質形状: 銅板油彩
  • 法量: 24.5×19.4
  • 種別: 歴史資料:キリシタン関係遺品

Also at the Tokyo National Museum More →

Important Cultural Property
Human Figure (人物立像)

Human Figure

人物立像
Sculpture · Edo, 17th centuryTNM
Important Cultural Property
Human Figure (人物立像)

Human Figure

人物立像
Sculpture · Edo, 17th centuryTNM
Important Cultural Property
Icon (人物像)

Icon

人物像
Sculpture · Edo, 17th centuryTNM

More sculpture of the Edo period More →

Important Cultural Property
Human Figure (人物立像)

Human Figure

人物立像
Sculpture · Edo, 17th centuryTNM
Important Cultural Property
Human Figure (人物立像)

Human Figure

人物立像
Sculpture · Edo, 17th centuryTNM
Important Cultural Property
Icon (人物像)

Icon

人物像
Sculpture · Edo, 17th centuryTNM
Advertisement