Kegon-kyō (Avataṃsaka-sūtra), Vol.70

This magnificent copied sutra is written out on purple-dyed paper in gold ink—gold dust dissolved in a gelatinous glue. There are dozens of examples of sutras copied in gold ink on purple-dyed paper from the Nara period (710–794). Their letters would have been burnished using the tusk of a wild boar. This example is a resplendent production to this day, its characters still shimmering. {br=>[[]], content=>[According to old documents kept in the Shōsō-in treasure house there were many Buddhist sutras written in gold during the Nara period, many of them written on purple paper. In the Heian period, however, sutras were written in gold on deep-blue paper, whereas purple paper was hardly used. Therefore, sutras written in gold on purple paper are the representative type of decorative sutras of the Nara period., The scroll introduced in this article is the seventieth volume from the set of eighty volumes of the Kegon-kyō (Avataṃsaka sūtra) written in gold between fine silver lines on purple paper.

The cover and the core of the scroll and the paper which was attached to the scroll-core are all original pieces which were made in the 8th century. The seal of Tōdai-ji temple is stamped onto the reverse side of the joint part between the cover and the first sheet. An inscription was written in ink by the sutra copyist onto the back of the paper that is attached to the scroll-core. According to this inscription, this sutra scroll was copied at the governmental studio for sutra copying during the mid-Nara period. Judging from the golden letters, which look grave and have an air of tension, this sutra must have been copied by some excellent sutra copyist.]}

— Museum description: Nara National Museum (CC BY 4.0), via ColBase / Japan Search.